David Bowie and the Russian winter, suspended in zero gravity, are diluted with the broken pixels characteristic of Lebedef, and they broadcast a layer of information layers: natural, subcultural, and cultural components. An overabundance of information flows left an imprint on the plot.
Continuing his series in glitch surrealism, the rock icon once again got a new life. The author attached a levitating spruce winter forest to the British hero, surrounding it all with a graffiti sky, unrestrained flurr pixels and stripes, which in turn symbolize the failure in the head of the beholder from the garbage flow from outside. Not only as a reaction of consciousness to the time spent in the black box 📲- the influence of the world, which is not.
Looking at the picture, David Bowie's “Space Oddity” (1973) involuntarily sounds in my head, and the forest, which has lost its gravity, shrouds in its natural vacuum.
We often see what we want to see. And the true meaning can be much deeper.
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